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movie, Apolonia, Apolonia

The path of an artist is never straightforward or easygoing. But the challenges are even greater for women who, as artists, create their work as a reflection of the way they see and move through the world.

Throughout the astonishing artifact of a movie “Apolonia, Apolonia”—the kind of film whose essence patiently and gradually materializes like an abstract painting in the making—Danish documentary filmmaker Lea Glob affirms this aforesaid hardship in countless, studious, and affectionate ways. Her intricate portrait of Apolonia Sokol, the on-the-rise French figurative painter whom Glob met in 2009 and filmed for 13 years, is full of such details. But Glob’s own presence in her doc makes an equally essential point about womanhood and artistry, by doubling down on the film’s multifaceted thesis. The result is something deeply reflective about femininity, culture, commerce, friendship, sexuality and the various souls who dwell in the impossible intersection of it all.

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https://www.youtube.com/watch?v=jHOZj2fjxtE
https://www.rogerebert.com/reviews/apolonia-apolonia-film-review-2024

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