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movie, Suncoast

Can there be anything more Sundance-y than a teary coming-of-age movie? This is by no means a knock towards the genre. Films that swim in such familiar waters can be wonderfully fulfilling, like Megan Park’s youthful “My Old Ass” showed with nuance at this year’s Sundance. In comparison, writer-director Laura Chinn’s US Dramatic Competition entry “Suncoast” joins a more forgettable crop of teen movies, lacking plausible character development and sufficient depth to make its themes resonate.

Love Strikes Twice
In Chinn’s semi-autobiographical yarn, we follow teenage Doris (a loveable Nico Parker, of “The Last of Us”) as she navigates a tricky life at home with her dying brother Max (Cree Kawa) and headstrong mother Kristine (Laura Linney, with a severely underwritten part), a woman of frequent emotional outbursts. Doris is sensible, affable and endearingly reluctant as a teen—so much so that she seems completely unaware of her inside-and-out beautiful qualities, perhaps because she has always lived under the shadow of her brother’s illness. When Max’s situation becomes a waiting game, the family moves him to a hospice where Kristine starts spending her nights. And this is when Doris meets Woody Harrelson’s activist Paul Warren amid the early-aughts’ landmark right-to-die court case of Terri Schiavo, who’s at the same hospital in a vegetative state where Kristine has moved Max.

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https://www.youtube.com/watch?v=wGPvdj3H_0o
https://www.rogerebert.com/reviews/suncoast-movie-review-2024

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