movie, The Crime is Mine
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movie, The Crime is Mine
Does crime pay? In the world of François Ozon’s fluffy period farce, it certainly can. When aspiring actress Madeleine Verdier (Nadia Tereszkiewicz) visits a famous producer’s house, the meeting goes badly, and she leaves with an awful story of the man’s attempted assault. She tells all to her fellow down-and-out roommate, best friend, and aspiring lawyer Pauline Mauléon (Rebecca Marder) the moment she returns. Before long, Madeleine is accused of carrying out the man’s murder, and when it seems she can escape “justice” quicker by confessing to the crime, she does, setting off an even funnier chain of events that brings in the real killer, a faded silent film star named Odette Chaumette (Isabelle Huppert), back to the spotlight.
“The Crime is Mine” marks a return to comedy for the prolific French director, who spent many of the last few years creating dramas like “Summer of 85” and “Frantz.” Reuniting with his "8 Women" star Huppert and the dynamic Tereszkiewicz and Marder, Ozon creates a fantasy world of gorgeous 1930s gowns, Art Deco luxury, and of course, a corrupt court and gullible public that’s thrown into a frenzy by Madeleine’s supposed crime. Ozon creates dizzying comedy out of a court that supposedly sides with the plight of women, when in reality their support is not always so. As part of Madeleine’s explanation of the crime and Pauline’s defense of it, they plead to the goodness of sisterhood and solidarity, arguing against the ways men have exploited them and kept them at the edge of losing their home and good names. The tactic works, but only to a point, because when Huppert’s Odette comes to collect her slice of the sisterhood, she threatens to expose Madeleine and Pauline as frauds.
--- omitted below ---
https://www.rogerebert.com/reviews/the-crime-is-mine-film-review-2023
https://www.youtube.com/watch?v=jGtveHGIYMI
Does crime pay? In the world of François Ozon’s fluffy period farce, it certainly can. When aspiring actress Madeleine Verdier (Nadia Tereszkiewicz) visits a famous producer’s house, the meeting goes badly, and she leaves with an awful story of the man’s attempted assault. She tells all to her fellow down-and-out roommate, best friend, and aspiring lawyer Pauline Mauléon (Rebecca Marder) the moment she returns. Before long, Madeleine is accused of carrying out the man’s murder, and when it seems she can escape “justice” quicker by confessing to the crime, she does, setting off an even funnier chain of events that brings in the real killer, a faded silent film star named Odette Chaumette (Isabelle Huppert), back to the spotlight.
“The Crime is Mine” marks a return to comedy for the prolific French director, who spent many of the last few years creating dramas like “Summer of 85” and “Frantz.” Reuniting with his "8 Women" star Huppert and the dynamic Tereszkiewicz and Marder, Ozon creates a fantasy world of gorgeous 1930s gowns, Art Deco luxury, and of course, a corrupt court and gullible public that’s thrown into a frenzy by Madeleine’s supposed crime. Ozon creates dizzying comedy out of a court that supposedly sides with the plight of women, when in reality their support is not always so. As part of Madeleine’s explanation of the crime and Pauline’s defense of it, they plead to the goodness of sisterhood and solidarity, arguing against the ways men have exploited them and kept them at the edge of losing their home and good names. The tactic works, but only to a point, because when Huppert’s Odette comes to collect her slice of the sisterhood, she threatens to expose Madeleine and Pauline as frauds.
--- omitted below ---
https://www.rogerebert.com/reviews/the-crime-is-mine-film-review-2023
https://www.youtube.com/watch?v=jGtveHGIYMI
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